Wits Business School Masters graduate, Taynita Harilal is boldly commiting to actively advance entrepreneurship in South Africa with the launch of the #ECAfrica - Evolution of Youth Entrepreneurship (EYE) Development Program. By connecting youth innovators and problem solvers in search of action based support, ECAfrica EYE will foster economic development and promote new venture creation.
The #ECAfrica Evolution of Youth Entrepreneurship (EYE) Development Program intends to set up a social enterprise relevant to the changes wrought by the #Covid19 pandemic, to drive an agenda that facilitates sustainable business practices which foster entrepreneurial practices and skills at a pre-tertiary level. Purpose driven, #ECAfrica EYE connects youth visionaries who will thrive in ecosystems that can nurture, resource and support passionate, young and dynamic mindsets looking to solve collective societal problems.
Aimed at secondary school students in grade 11 from geographically, socially and economically diverse ecosystems, the mentoring, training and educational project intends to equip learners with skills and resources that will allow them to start their ventures or actively participate in entrepreneurial practices. The vision is to bring this cohort to a central conversation where ideas can be shared with curious minds and create a pipeline of emerging, responsible entrepreneurs who are wired to drive the change they want to create.
Pivoting off her learnings from her recently completed Masters and inspired by her participation in the GIBS Spirit of Youth programme, the already entrepreneurial Harilal has chosen to invest her graduation ceremony funds into the project to kick start the program.
“I presented this as part of my summer school invitation to participate in the Denmark Business School summer school programme and my project idea was met with a favourable response. Linking it to #ECAfrica made sense as I did my Masters thesis based on second generation female succession planning and this allowed me to think broadly on how this can be a catalyst for conscious planning,” shares Harilal.
The project aims to address the lack of entrepreneurial education in schools and the promotion of new venture creation in the country. Harilal has already started to shape the piloting phases of the project and plans to scale continually. With knowledge and skills transfer at the forefront of the programme, the incubator will be an immersive experience that will include educational lessons, guest speakers, interactive activities and practical exercises that will challenge the learners to broaden the scope of their understanding. The programme will run for the period of a school year and will not interfere with the school curriculum.
Harilal stated “While we build the technology to scale the project, we will take on the format of monthly programmes that will consist of lessons, practical exercises, fireside conversations and leadership dialogues. The aim is to provide an environment that stimulates and encourages entrepreneurial activity and interest in new venture creation.”
“South Africa, and in fact the continent at large, will need many efforts to drive our economy forward. Developing projects to stimulate entrepreneurship is a small effort towards solving a bigger problem. My aim is to further unlock knowledge as I head towards my PHD studies. I am hoping to invite like minded champions of economic development to connect to our pipeline and help build a cohort and ecosystem of relevance where innovators can connect to support structures that will help propel their programmes forward.” says Harilal.
Entrepreneur Connect Africa and JT Comms are excited to be partnering with Harilal on the #ECAfrica youth development program. Harilal would also like to partner with academic institutions, public and private sector organisations to be a part of this groundbreaking program through financial and non-financial support.
Public and Private sector entities interested in partnering with Harilal and #ECAfrica are invited to connect via email media@jtcomms.co.za or the #ECAfrica social media pages.
Distributed by JT Comms (www.jtcomms.co.za) on behalf ECAfrica’s EYE - The Evolution of Youth Entrepreneurship programme and Taynita Harilal
For Hi Res Images and interview requests please contact Dee’s on media@jtcomms.co.za
Budding South African animator Kearabetswe Moumakwe has won an Ada Animation Bootcamper of the Year Award at their awards ceremony on December 9, 2021 hosted in conjunction with the Kenya Film Commission.
A Kenyan-based studio with a growing African footprint, Ada Animation was founded on the desire to tell African stories and the completion of the recent programme has proven how possible this dream is. With a growing cohort of trainee animators from across Africa, and a team of six internationally acclaimed animators, Ada Animation’s Bootcamp Training is a first for Kenya and one of the only capacity building animation programmes on the continent.
“It is a delight for Ada Animation to be a pacesetter in Africa’s growing animation industry by executing Kenya’s first animation capacity building programme with great support from the Kenya Film Commission. The animation bootcamp sets us off on our mission to groom and grow animators through mentorship and in turn, build a dynamic animation industry for the African youth. We are also delighted to have our long-time friends from Hollywood and the bootcamp mentors travel from across the world to attend this year’s bootcamp cohort II graduation,” stated Joy Mwangi, CEO & Co-Founder Ada Animation.
Forty-five ambitious African animators from five countries responded to Ada Animation’s call for participants: namely from Kenya, Tanzania, Zimbabwe, South Africa and Egypt. The four month programme commenced in September at the Adanian Lab Campus. Of the original 45 students, 33 students completed the course and submitted the 30sec Public Service Announcement group project. The top performers were celebrated at the networking event attended by local and international animators.
Thanks to Ada Animation’s invitation Animation SA was able to share the opportunity to their dynamic growing ecosystem of animators. “Animation SA is honoured to have been part of the Ada Animation initiative,” said Isabelle Rorke, Deputy Chair of Animation SA. “We believe that initiatives such as these are laying the foundations for the growth and improvement of the African animation industry. It has also been a great bridge to linking the only South African animation industry organisation with such an impressive studio in Kenya. We look forward to joining forces in the future and exploring more ways in which we can create social impact. I have already received a heartfelt message of gratitude and appreciation from Kearabetswe Moumakwe, one of the junior animators that were part of the training. She has informed me that it has given her the confidence to start her own animation studio. We are really grateful that a studio across the African continent joined hands with us to make such a great impact in the lives of a few of our members”.
As of 2020, the Global animation market was valued at $290 Billion; Africa contributes only 0.75% of this figure. Animation is an easy to acquire skill when well trained and job opportunities created for the creatives to continue harnessing and earning from their skills. Yet animation training and mentorship is non-existent in Kenya and in most places in Africa – South Africa being the only hotspot that offers such training at a high fee.
“Our aim is to build a thriving animation industry in Africa that will create employment for the youth and catalyse wealth creation opportunities. Our strategy plan being to develop top-tier animators in Kenya and across Africa by providing ambitious animators with the necessary skills, tools, mentorship and platforms to create and share African stories with Africa and the world. We were so motivated by the response to the programme, not just from Kenya but other countries as well,” said Joy Mwangi, CEO of Ada Animation.
Ada Animation currently have three studios in Kenya, UK and South Africa. They are the first studio to offer affordable short animation courses in Kenya, and one of the few in Africa. The Boot Camp cohorts were trained by key industry players in animation from around the world, including: Dean Lyon (USA), who has worked on films such as Lord of The Rings and Armageddon, and founder of Splinter Studios, Kevin Sharpley (USA), founder of Kijik Media Studios, Brad Beckham (USA), Irmak Atabek (Turkey), Dennis Mbuthia (Kenya), David Wyre (Kenya), Eric Musyoka (Kenya) and Jon Turner Founder of Kilogramme Studio. Joann Yarrow and Jason Erick won Female and Male Animation Mentor(s) of the year.
“Since inception, we have successfully managed to run two animation bootcamps for the participating trainees, who have all shown such tremendous growth in skill and market placement,” continued Mwangi.
The success of the first two bootcamps is driving Ada Animation’s next steps towards launching Africa’s first Animation Talent Resource portal, where the credible trainees will get market exposure to open jobs both locally and internationally and consistently be exposed to different revenue streams.
Also in the pipeline is the first ever video on demand platform that seeks to highlight, market, and bring traction to animation content originating from Africa. All trainees and other animators will benefit from this platform and can actively market their content and earn from each subscription acquired.
Ada Animation’s animators have also been busy in the studio – and are proud to be premiering their first episode of the kids TV series – Ethan Man, as well as continuing work on the movie trailer for The Last Laiboni (scheduled for release mid-February 2022).
“We turned one year in September 2021, and it has been a great year for Ada Animation! The potential impact of these initiatives on the African continent is slowly being realised“ concluded Mwangi.
Issued by JT Communication Solutions on behalf of Ada Animation
For media enquiries, interview requests or access to high res photos please contact media@jtcomms.co.za or call (011) 788 7632
About Ada Animation
Ada Animation was founded in September 2020, is a pan-African Animation studio headquartered in Kenya that seeks to build a thriving industry in Africa that will in turn create employment for the youth and catalyze wealth creation opportunities. The studio has its imprint in three countries: Kenya, UK and South Africa.
Ada Animation is the first in Kenya and one of the few in Africa that has successfully executed an all animation capacity building programme (Ada Animation Bootcamp). A three-month hybrid programme provides ambitious African animators with the necessary skills, tools, mentorship and a platform to create their own stories and earn from them.
Note to Editor
The Animation SA participants on the Ada Animation Bootcamp are listed below
14- 19 December 2021
Joburg Theatre in association with the City of Johannesburg entities: Joburg City Parks and Zoo and City Power are excited to present the fourth programme on the annual Festival of Lights.
As the Festival of Lights marks its third year on the Jozi festival calendar by offering a treat for all ages, Tribhanghi Dance Company will transport audiences into a world of rich culture fusion through dance from the 14th to the 19th of December. Tribhangi means ‘three bends in a body’ which is demonstrated through their unique presentation, challenging experimentation, enthusiasm and energy – hallmarks of every Tribhangi performance. The dance company’s work seeks to reflect a profound sensitivity, respect, understanding and knowledge of the cultures through dance. They boast a repertoire that includes African, Indian, Contemporary and Afro-fusion.
Adhering to all social distancing & COVID legislation, patrons can enjoy the exciting programme of beautiful lights, diverse live music, dance, food and much more under the stars at the Joburg Zoo. Patrons are encouraged to bring out their picnic blankets and enjoy food & beverages for all ages from the food stalls.
Sharing the stage with Tribhangi is the incredible performance from Shef and the Kitchen Music, a live performing international band born from the dusty streets of Orange Farm in the south of Johannesburg, South Africa. With their original lyrics in Isizulu, Xitsonga and English, the Afro jazz-funk band is a force to be reckoned with. The band was recently invited to perform at the 2019 Indian Institute of Technology (IIT) Madras World Festival in Chennai, India. Locally Shef and the Kitchen has performed in more than 100 shows around South Africa and is known for its electrifying performance. Their chef attire makes this Afro-jazz funk band stand out with music to offer a rich body of work featuring songs with original lyrics that combine isiZulu, Xitsonga and English.
Performances will take place from 19h00 to 22h00 and patrons are encouraged to arrive from 18h00 and allow ample time for Covid screening that will be done at the entrance.
Patrons are encouraged to bring along their camping chairs and picnic blankets to sit on as they listen and enjoy entertainment under Joburg’s starry night sky. The festival will adhere to the level 1 lockdown Covid protocols and patrons are urged to observe them.
Tickets are available at www.joburgtheatre.com priced at R75 for kids 3 – 12 years, R90 for pensioners and R150 for kids 12+ and adults, Kids under 3 enter free. Joburg Theatre is also excited to share that patrons could qualify for a 10% discount for a group of 10 and above.
As a disclaimer, the festival organizers would like to inform the public that entertainment will be weather dependent and they request that, while all efforts will be made to communicate with ticket buyers, patrons especially the walk-ins who plan to buy tickets at the gate, need to follow updates on Joburg Theatre social media pages should there be any last-minute event cancellations due to bad weather conditions. Festival-goers are also asked to allow for extra time for Covid screening procedures when they attend the festival.
Keep up to date with the festival on our social media platforms;
Facebook: @joburgtheatre
Instagram: @Joburgtheatre
Online: www.joburgtheatre.com
Media stakeholders interested in covering the Festival can contact media@jtcomms.co.za to RSVP for their teams to attend between Tuesdays to Thursdays.
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Issued by JT Communication Solutions on behalf of Joburg Theatre.
For media enquiries, interview requests or access to high res photos please contact media@jtcomms.co.za or (011) 788 7632 and speak to Dee’s
The full programme for the Festival of Lights:
Programme 1–26- 28 November 2021 -Joburg Ballet's Nutcracker AND Bikos Manna
Programme 2– 30 November – 5 December 2021 –Joburg Ballet's Nutcracker AND Soulphiatown
Programme 3 – 7 -12 December 2021 – Art of Dance AND Xoli B
Programme 4–14- 19 December 2021 - Shef and the Kitchen AND Tribhangi Dance Theatre
Programme 5–21 – 26 December 2021 - Christmas carols
Programme 6 – 28 December 2021 -2 January 2021 – Bongi Mthombeni AND Brenda Mtambo
In Paarl, Western Cape, there is a football club that is rich in talent, passion and heart. Cambio Soccer Club are serving up more than regular goals, more than wins – they are winning youngster’s hearts and building a positive future for many young people in their community. Stretching across the boundaries that so often separate communities, Cambio Soccer Club is putting their humanity first and building a soccer club Paarl can be proud of.
Growing up Lionel John Maharajah (also the current coach at the club) loved football, and enjoyed many a game in the park. He had a lot of talent and joined one of the local clubs, but soon became despondent with the lack of support from the coaches.
“These coaches never took the time to explain the game to me. Especially the part where there are 10 other players in your team and there is a formation that needs to be kept. I felt completely lost on the field of 11 players, nothing made sense. I felt let down by those coaches. I had the drive to be successful and I wanted to learn, but they focused on the players who already understood the game. I then stopped playing because of this bad experience,” says Lionel.
After a decade off the field, Lionel, now working as a musician and entertainer returned to build up his fitness and rekindle his love for the game. The field had other plans for him and while training he discovered his gift for coaching and his ability to bring out the best in young players and the team as a whole. He never wanted another player to feel the same disappointment and the bad experiences he had felt.
He saw the impact sport had on young people’s lives and how the beautiful game could bring about positive change, even in some of the most difficult circumstances. Sadly he also saw how much talent was being overlooked and subsequently lost from the sport. In 2018, Lionel along with parents Johan van der Walt and Jerome Fredericks established the Cambio Soccer Club in Paarl, Western Cape.
On the first day of practice 50 young people, girls and boys, turned up to play. The Cambio Soccer Club came with many promises; fun; fitness and a chance to play real football, but it also offered a place of safety, mentorship and community.
“The reason why I started the Cambio Soccer Club was to give young boys and girls the opportunity to try out and possibly play for Sundowns, or Kaiser Chiefs, or even Man United one day. There is so much talent in our communities and it so often gets lost,” says Lionel.
“So many of these young players fall off the bus because they don’t get the opportunity to focus on their football and get involved in other things. There is no one to mentor them or be a role model. Lionel is an incredible role model to a lot of these boys, he is someone they can really look up to,” says board member and parent Johan van der Walt, whose own son has benefited from being a part of the team and now plays in a higher league in Cape Town.
During the first two years, Cambio went from strength to strength, with Lionel building up each of the teams, including the girls team. During the first two years the club faced a number of challenges, including difficulty in securing a home venue and funding. Many of the parents could not afford club fees, transport and kit costs. However the club made a plan, run by volunteers, Lionel gave freely of his coaching services and parents supported financially where possible.
However 2020 saw the fledgling club face its biggest challenge – the Covid 19 pandemic and subsequent lockdowns and restrictions on sports meant that the teams were isolated and could not get any training in. Despite Coach Lionel’s best efforts online, motivation waned and many of the gains made were lost. The lockdowns had a tremendous impact on many families in Paarl and this was acutely felt by the Soccer Club.
“Sport develops people in all aspects of their lives, as an occupational therapist I look towards the well-being of our youngsters, we also look to mentoring and helping these youngsters with the difficult situations in their lives. For example how to cope with the bad issues in life, such as substance abuse and teach them social skills. We aim to build their confidence, as well as teach them the importance of being part of a team and giving them a sense of belonging. We want to create a safe platform for them, this is a family and they can come with their personal issues and we will try to help them,” says board member Jerome Fredericks who was himself a professional volleyball player and felt the benefits of sport personally in his own life.
As the world opened up again in 2021, so too did the Cambio Soccer Club and Lionel got the players back on the field. After a year of rebuilding, the club boasts very successful u9, u11, u13, u15, 17, u19, Second and First Teams. The girls’ team is yet to gain the momentum it had, however a number of the girls have returned and are currently playing in the boys’ teams.
In the last year success has come in many forms for the club – for some it is goals and victory, but for many it’s a sense of peace, belonging, safety and healing.
“Yes we are a football team, we want to win, we want to excel – our coach is very competitive – and if you look at our results we are doing so – but more than that our youngsters have become better citizens and it’s so wonderful to see how eager these youngsters are to become wonderful human beings with respect and dignity for themselves and each other.
“It is important for them to become better citizens, better family members, and better team members and to give them the responsibility to take ownership of their lives and develop their leadership skills.” Fredericks stated.
Coach Lionel hopes that as the team develops the players will be able to compete in the higher leagues and participate in trials in both Cape Town and the country as a whole.
“It’s been really awesome to be able to send some of the boys to these trials because they get the experience and when they come back you can see a huge difference in the way they think about football and they influence our players. We are improving so much because of these trials and the experiences these boys are having,”
The future looks bright for the Cambio Soccer Club but to get there they need support and are currently looking for sponsorships to cover transport, facilities, kit and trial costs. Anyone interested in providing sponsorship can contact the club on the following cambiosoccerclub@gmail.com
Issued by JT Communication Solutions on behalf of Cambio Soccer Club
For media enquiries, interview requests or access to high resolution pictures please contact media@jtcomms.co.za or call 011 788 7632
The 7th African Women Writers Symposium: Joburg and Durban Programme
The programme is supported by The Department of Sports, Arts and Culture (DSAC)
The 7th African Women Writers Symposium (AWWS) has a very exciting programme and one of the draw cards is undoubtedly the multi-award winning American poet and writer, Patricia Smith who has been called “a testament to the power of words to change lives.”
Ms Patricia Smith will present the keynote address, in Memoriam Lecture for Nobel Laureate, Nadine Gordimer, on Saturday 4th December at 4pm to 5.30pm Sharp! This day long event hosted by the AWWS, has over the years hosted the In Memoriam Lecture for Nobel Laureate Nadine Gordimer with various acclaimed international writers. Unlike other years, given the pandemic there will be a limit on the number of seats available to the public to physically attend the Johannesburg and Durban events whilst streaming of the in memoriam Nadine Gordimer lecture will be free and open to the public. Strict Covid regulations will be adhered to.
This year’s event will take place on 4 December 2021, and falls within the country’s 16 days of activism against gender based violence. It will end in Durban on the 12 December with a musical programme. Both these activities will be hybrid events and promises to be both educational and entertaining.
Joburg 4 Dec 2021: 10am to 9pm @Soweto Theatre
The AWWS in Joburg kicks off with a day-long programme at the Soweto Theatre on Saturday 4 December. It begins with a Poetry Workshop hosted by Silke Heiss and Rochè Kester. This will be followed by a talk and discussion presented by customary law expert Nomboniso Gasa and Prof Farid Esack entitled: Gender Equality: Challenges of building a cultural and religious diverse nation, focusing on aspects of African customary law and practices and Muslim personal law. (1.45 to 3.30pm)
The evening session will conclude with a cultural evening of poetry and music, with both young and established poets such as Busisiwe Mahlangu, Melissa Moyo, Zandile Caroline Sibanda, Noluthando Mkhungo and Silke Heiss together with singers and musicians Leomile, Themby Khumalo, House sensation Thabsie and violinist Neo Motsatse with the all female string septet Black Girl Magic. The programme is free but reservations are essential.
Durban 12 December 2021 -2.pm to 5pm. (Sunday)@Amazulu Gardens Kloof, Durban
On Sunday 12 December, the African Women Writers Symposium travels to Durban with a special concert of Afro Jazz at the Amazulu Gardens and Sculpture Precinct in Kloof with awarding winning and multi talented singer and trombone player Siya Makuzeni and her trio. Afro Arts SA is partnering with Amazulu Gardens on this programme. Also featuring zulu and jazz guitar maestro, Bheki Khosa and his band, The Bheki Khosa Trio will also feature jazz singer Xolisa Dlamini and Zimbawean singer and imbira player Hope Masike and the amazing Durban based poets Thando Fuze, Sindiswa Lady Africa Zulu and from Pietermaritzburg Luleka Mhlanzi. Tickets available at Web Tickets (R120 per ticket)
Issued by JT Communication Solutions on behalf of Afro Arts SA and the African Women Writers Symposium
For media enquiries, interview requests or access to high resolution pictures please contact media@jtcomms.co.za or call 011 788 7632
Note to Editor
1. The Nadine Gordimer In Memorium lecture in the past hosted the following high profiled writers: Leila Abouleila (Egypt/Sudan), Gillian Slovo (UK/SA), Aminata Forna (Sierra Leon/UK), Lorna Goodison (Jamaica) among others.
2. The AWWS has just completed a successful educational arts programme in Modimolle, Limpopo.
3. These activities are supported by the Department of Sport, Arts and Culture (DSAC).
5) Tickets for the Afro Jazz concert at Amazulu Gardens in Kloof, Durban are available at Web Ticket and cost R120.00
6) To attend the African Women Writers Symposium at the Soweto Theatre, please rsvp to: afroartsurban@gmail.com
7) The Nadie Gordimer Lecture will also be live streamed for free on the following platforms:
Facebook: African Women Writers Network
Facebook: Joburg Theatre
Weblink url: afroarts.co.za
Patricia Smith (USA): She is the author of eight books of poetry, including Incendiary Art (2017), winner of the Kingsley Tufts Poetry Award, an NAACP Image Award and finalist for both the Neustadt International Prize for Literature and the Pulitzer Prize; Shoulda Been Jimi Savannah (2012), which won the Lenore Marshall Prize from the Academy of American Poets; Blood Dazzler (2008), a chronicle of the human and environmental cost of Hurricane Katrina which was nominated for a National Book Award and Teahouse of the Almighty, a 2005 National Poetry Series selection published by Coffee House Press. In 2021 she was awarded the Ruth Lilly Poetry Prize
South African musicians Vusi Mahlasela and Thandiswa Mazwai will be honoured with the 2021 Music In Africa Honorary Award at the opening of the Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES) in Johannesburg, South Africa, on 25 November.
The award is courtesy of the Music In Africa Foundation and seeks to recognise the outstanding contributions of notable musicians to their home country’s industry and that of Africa as a whole.
Previous Music In Africa Honorary Award recipients include Baaba Maal (Senegal, 2017), Eric Wainaina (Kenya, 2018), Ebo Taylor (Ghana, 2019) and Bibie Brew (Ghana, 2019).
“We are delighted to present the Music In Africa Honorary Award to South African music legends Vusi Mahlasela and Thandiswa Mazwai“, Music In Africa Foundation chairperson Yusuf Mahmoud said. “These artists are some of the most important flagbearers for African music, and their work to popularise African music around the world should be celebrated by all. We want to thank them for inspiring the next generation of creative talent in South Africa and across the continent.”
Born in Pretoria in 1965, Mahlasela became an inspiration to many supporters of the anti-apartheid movement by singing about the struggle for freedom, forgiveness and reconciliation. He gained international recognition in 1990 when he played at Zabalaza Festival in London and dedicated his debut album When You Come Back to those who sacrificed their lives during the struggle. Mahlasela has committed his life to singing songs about freedom, social justice and unity. In 2013, he was honoured with the National Order of Ikhamanga in Silver. The order is conferred on South African citizens who have excelled in the fields of art, culture, literature, music, journalism and sport.
Born in 1976, Mazwai began her career with a popular music group Bongo Maffin. While with the award-winning group, she performed all over the world and shared the stage with music icons like Stevie Wonder, Ladysmith Black Mambazo and Chaka Khan. Following five albums with Bongo Maffin, Mazwai launched a successful solo career in 2004 with her debut album Zabalaza, which went double platinum and was nominated at the BBC Radio 3’s Planet Awards. Her music is often deeply political with compositions that include traditional Xhosa rhythms, mbaqanga, reggae, kwaito, funk and jazz. Her craft has earned her collaborations with various artists including Paul Simon, Hugh Masekela, Stimela and Busi Mhlongo.
View the full ACCES 2021 programme here.
Registration for ACCES 2021 is mandatory and on a first-come, first-served basis. African delegates register for free.
Issued by JT Communication Solutions on behalf of Music in Africa Foundation (MIAF)
For media enquiries, interview requests or access to high resolution pictures please contact media@jtcomms.co.za or call 011 788 7632
About ACCES
ACCES is a pan-African trade event for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Reeperbahn Festival International, Siemens Stiftung, Goethe-Institut, Joburg Tourism, Sci-Bono Discovery Centre, Ditto Music, SACEM, Pro Helvetia, Tuerk Music, Kaya FM and Bassline.
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22 November 2021 to 2 January 2022
Joburg Theatre in association with the City of Johannesburg entities; Joburg City Parks and Zoo and City Power are excited to present the third annual Joburg Festival of Lights featuring an enchanting collection of illuminated life-size animal characters and classical, harmonious entertainment, food and craft night market for visitors to the Joburg Zoo.
Launching on the 25th of November and open from 6pm – 10pm daily except on Mondays, patrons can enjoy a tranquil walk in the zoo on a designated lit route away from the animals under trees decorated in enchanting lights. The Joburg Zoo Festival of Lights offers patrons entertainment and a perfect night out in the zoo for all ages
This year’s dynamic entertainment lineup is set to enchant, enthral and leave an everlasting impression on festival-goers with the theatre bringing back firm favourites such as Joburg Ballet’s Nutcracker, Bongi Mthombeni, and introducing dynamic fresh talent, Biko’s Manna a highly gifted sibling band, Soulphiatown, a duo popular for epitomizing African Pop in its purest form, and the award-winning, vocalist Brenda Mthambo who are all just as delightful.
As with all the other years, festival-goers will get an opportunity to indulge in an array of delicacies that can be purchased from the vendor stalls that will be operating for the duration of the Festival.
“We are excited to be able to deliver another instalment of the festival together with our partners . Patrons are assured of enchanting festive lights, great entertainment, diverse market stalls where they can indulge in delicious delights to further enhance their experience at the festival this year.” Shares Xoliswa Nduneni – Ngema, Chief Executive Officer of Joburg City Theatres.
Kicking off the festival calendar and ending November on a glowing high are performances from the Joburg Ballet’s Nutcracker which is a well-loved classic, who will first be joined by the young and talented sibling band Biko’s Manna from the 26th to the 28th of November then later joined by Soulphiatown until the 5th of December.
From the 7th to the 12th of December, Audiences get to enjoy contemporary dance from Art of Dance, a truly unmissable experience for lovers of all things dance. Sharing the same stage during this week is the very talented singer songwriter, Xoli B whose magical performance is an enthralling and healing experience.
From the 14th to the 19th, Tribhanghi Dance Company will transport audiences into a world of rich culture fusion through dance. The dance company whose work seeks to reflect a profound sensitivity, respect, understanding and knowledge of the cultures through dance also boasts a repertoire that includes African, Indian, Contemporary and Afro-fusion. Sharing the stage with them is Shef and the kitchen delivering an incredible performance. This live performing international Afro Jazz Funk band, born from the dusty streets of Orange Farm in the south of Johannesburg is a must watch as they deliver their original lyrics in Isizulu, Xitsonga and English.
This year’s programme also ushers in the Christmas spirit with carolling delivered by the Sempre Opera and Mzansi Youth Choir during Christmas week from the 21st to the 26th except for Christmas day.
Award-winning vocalist Brenda Mtambo and Tembisa born musician, pianist, music arranger, sound engineer and producer, Bongi Mthombeni will conclude the Festival of Lights calendar on a musical high from the 28th of December to the 2nd of January 2022.
Patrons are encouraged to bring along their camping chairs and picnic blankets to sit on as they listen and enjoy entertainment under Joburg’s starry night sky. The festival will adhere to the level 1 lockdown Covid protocols and patrons are urged to observe them.
Tickets are available atwww.joburgtheatre.com priced at R75 for kids 3 – 12 years, R90 for pensioners and R150 for kids 12+ and adults, Kids under 3 enter free. Joburg Theatre are excited to share that there will be a black Friday sale where tickets can be bought at 50% off on the 26 of November 2021.
As a disclaimer, the festival organizers would like to inform the public that entertainment will be weather dependent and they request that, while all efforts will be made to communicate with ticket buyers, patrons especially the walk-ins who plan to buy tickets at the gate, need to follow updates on Joburg Theatre social media pages should there be any last-minute event cancellations due to bad weather conditions. Festival-goers are also asked to allow for extra time for Covid screening procedures when they attend the festival.
Issued by JT Communication Solutions on behalf of Joburg Theatre – www.joburgtheatre.com
For media enquiries or interview requests please contact media@jtcomms.co.za or call 011 788 7632
Keep up to date with the festival on our social media platforms;
Facebook: @joburgtheatre
Instagram: @Joburgtheatre
Online: www.joburgtheatre.com
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The full programme for the Festival of Lights line-up:
Programme 1–26- 28 November 2021 -Joburg Ballet's Nutcracker AND Bikos Manna
Programme 2– 30 November – 5 December 2021 –Joburg Ballet's Nutcracker AND Soulphiatown
Programme 3 – 7 -12 December 2021 – Art of Dance AND Xoli B
Programme 4–14- 19 December 2021 - Shef and the Kitchen AND Tribhangi Dance Theatre
Programme 5–21 – 26 December 2021 - Christmas carols
Programme 6 – 28 December 2021 -2 January 2021 – Bongi Mthombeni AND Brenda Mtambo
Parking is available at the Upper Park Drive parkade.
The Dont’s
• No balloons or balls are allowed
• No pets allowed
• No alcohol allowed
• No mask, no entry
• No cooler boxes
• No food
The Music In Africa Foundation (MIAF) and the European Union Delegation to South Africa, with the support of the Cultural Relations Platform, are pleased to announce the recipients of the MusicXwords project.
The initiative aims to facilitate interdisciplinary exchange between musicians and spoken word artists in South Africa. It will provide training to participants and offer them showcasing opportunities in South Africa and across Europe, while actively strengthening collaboration between South African artists and European festivals, bookers and programmers.
On 25 August, the MIAF published an open call for participation in the project. Some 105 applications were received and a jury of industry professionals – including Maneo Mohale, Goodenough Mashego and Roshnie Moonsamy, among others – picked the top 10 acts who will participate in a capacity-building workshop on 28 October. The workshop will promote knowledge sharing with a view to connect the South African and European arts and culture scenes while teaching the participants skills in packaging their creative products for a global digital audience.
These acts, which comprise 36 individual band members, will also be invited to showcase their talents during a virtual concert at Soda Studios in Johannesburg on 29 October. The concert will be broadcast to the public via Music In Africa’s Facebook page(link is external), affording the participants the opportunity to perform for bookers from Europe and Africa.
“It has been thrilling to collaborate with our partners, the European Union Delegation to South Africa and the Cultural Relations Platform, on this programme, which sees the Music In Africa Foundation working within the realm of spoken word – a first for us,” MIAF projects manager Violet Maila said. “We are happy to announce the top 10 applicants, who we believe possess immense talent that lies in this country’s flourishing creative industries. It is our sincere hope that this opportunity will catapult all participants to new career heights while creating opportunities for collaboration and shared learning.”
After the conclusion of the showcase performances at Soda Studios, a minimum of five acts will be selected to perform at European festivals in 2022.
EU ambassador Riina Kionka said: “The EU views culture as an important element at the heart of its partnership with Africa, especially at this time in which cultural industries in both Europe and Africa have been so badly affected by the COVID-19 pandemic. “MusicXwords has allowed the EU to actively support culture as a space for opportunity and hope for young cultural operators within the spoken word and music genres.”
Below are the 10 selected participants of the MusicXwords 2021 project:
For Media Queries and Interview requests contact JT Comms on 011 788 7632 or media@jtcomms.co.za
Issued by JT Communication Solutions on behalf of Music In Africa Foundation (MIAF) www.musicinafrica.net
About MusicXwords
The MusicXwords project is an initiative by the EU Delegation to South Africa, implemented in partnership with the Music In Africa Foundation and supported by the Cultural Relations Platform.
About the Music In Africa Foundation
The MIAF is a pan-African, non-profit organisation based in Rosebank, Johannesburg, with satellite offices in East, West and Central Africa. The MIAF’s mission is to support the African music sector through promoting knowledge exchange and creating opportunities and capacity for music professionals. The foundation does this in two ways: digitally via the Music In Africa website (www.musicinafrica.net) and offline through training programmes, artist mobility programmes, workshops, concerts, lobbying, conferences and other related initiatives.
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About the Delegation of the European Union to South Africa
Since the establishment of the European Union Delegation in the country after the first democratic elections in 1994, the EU and South Africa saw rapidly expanded cooperation. The relations were strengthened in 2007 with the establishment of the EU-South Africa Strategic Partnership, a forward-looking platform that facilitates wide-ranging cooperation between our two parties. A range of dialogues between the EU and South Africa allow to share experiences in areas of common interest, or where challenges have to be faced. Areas covered by these dialogues include education, health, energy, the environment, macro-economic policies, human rights, peace and security including maritime security. The partnership is broad and comprehensive and covers political, trade and development interests, as well as cultural relations. Except for consular tasks, the Delegation in Pretoria functions like an embassy; it is a diplomatic mission representing the European Union to South Africa together with the 27 Member States of the European Union.
More information is available on:
About the Cultural Relations Platform
Launched in April 2020 by the European Union, the Cultural Relations Platform is designed to strengthen the EU’s ability to engage meaningfully with different audiences and stakeholders in its partner countries, through enhanced cultural relations and cultural cooperation. The Platform aims to promote and facilitate sustainable cultural exchange, support cooperation among cultural and creative sectors, and strengthen communities and networks of cultural practitioners. It supports and funds several activities in partner countries around the globe, including in collaboration with the EU delegations Worldwide.
More information is available on:
Dear Media
You are cordially invited to the Live recording of the Kwaito Legends Festival taking place on the 14th of October 2021 at the Soweto Theatre
See the attached Poster to get an idea of the artists on the bill
Please RSVP to media@jtcomms.co.za. Please note that tickets are very limited and when responding, kindly furnish with full name and designation for each crew member attending.
We look forward to your response.
Issued by JT Comms on Behalf of Arts Alive International Festival
Veteran dance teacher, choreographer and actress, Nomsa Manaka, will be moving her dance studio to Funda Centre in Diepkloof from the Walter Sisulu Square in Kliptown after it was irreparably vandalized in December of 2020. The studio that is named after its founder and principal dance instructor, Nomsa Manaka Dance Studio, since opening its doors in 2015, until recently, was regarded as one of the only few well-built professional dance studios in Soweto that provided cultural practitioners of other disciplines with a well-equipped rehearsal and practice space. The studio reflected Manaka’s life-long passion; teaching and promoting the importance of indigenous dances and rhythms of Southern Africa.
The studio has had to shut down and become non-operational since the damage. Out of letters and words of encouragement from mothers of children who were part of the dance classes, from aspiring dancers and the general public alike, Manaka was determined to reopen the dance studio again.
It was not until recently that Manaka secured a space for the studio, at the very place where her artistic roots were natured and her journey began: the iconic Funda Art Centre in Diepkloof.
It was here that the legendary dancer, choreographer, actress, mother and survivor of cancer became a pioneer, the first to introduce African dance styles to the township during the 80’sandto fuse the different dances from other African countries with South Africa’s contemporary township-pantsula-jive styles in the township, making her a household name, and since then Manaka has travelled the world performing to sold-out shows, choreographing unforgettable movements and inspiring a whole new generation of dancers.
“My greatest dream if anything is to see our children learning more about who we are and where we come from through our indigenous dances, and to make sure that all traditional dances and rhythms of South Africa are treated with and given the respect and dignity they deserve.” passionately shares Manaka, “and lastly, I would love to see the Nomsa Manaka Dance Studio become a space where everyone is welcomed, respective of race, colour, gender or nationality. I see the studio becoming a home where all cultures can belong, where people from all walks of life can share, learn, grow and inspire through music and dance.” She adds.
As the dance studio plans to move into Funda Centre by the 2nd of October, various fundamental resources are still needed before its doors can be opened. Nomsa and her team of dance instructors are appealing to South Africans to assist with donations and contributions towards the studio’s lack of facilities such as; mirrors, a dance floor, wooden ballet bars, a sound system, among others.
This move to Funda Centre is momentous for Manaka who fondly lauds the place for placing her name on the world map. This award-winning icon has an exciting programme of action kicking off on the 2nd of October with a children’s class, followed by a full dance class for older students on the 4th of October. Performances lined up include the children’s day performance on the 6th of November and lastly, a big dance collaboration concert to close off the year on the 11th of December 2021.
For media enquiries and interview requests please contact media@jtcomms.co.za or call 011 788 7632
Issued by JT Communication Solutions on behalf of Nomsa Manaka Dance Studio
Note to Editor
About Mindshare
We were born in Asia in 1997, a WPP start up with a desire to change the media world. Now we are a global network with 116 offices in 86 countries and billings of $16.5bn. We are the largest agency in GroupM, WPP’s Media Investment Management arm, which is the #1 media holding group globally with billings of $45.1bn (Source: COMvergence 2018). We aim to be our clients’ lead business partner, to grow their business and drive profitability through adaptive and inventive marketing. We do this through speed, teamwork and provocation because in today’s world everything begins and ends in media. We create new things and have fun doing it.
Visit us at www.mindshareworld.com and follow us on Twitter @mindshare and facebook.com/mindshare and LinkedIn.com/company/mindshare.
About GroupM
GroupM is the world’s leading media investment company responsible for more than $45B in annual media investment through agencies including Mindshare, MediaCom, Wavemaker, Essence and m/SIX, as well as the outcomes-driven programmatic audience company, Xaxis. GroupM creates competitive advantage for advertisers via its worldwide organization of media experts who deliver powerful insights on consumers and media platforms, trading expertise, market-leading brand-safe media, technology solutions, addressable TV, content, sports and more.
Discover more about GroupM at www.groupm.com Follow @GroupMWorldwide on Twitter Follow GroupM on LinkedIn - https://www.linkedin.com/company/groupm
About JT Comms
JT COMMUNICATION SOLUTIONS is a dynamic, 100% black owned media agency established in 2004, rooted in Africa with a global reach. The agency’s core business offering includes media relations, publicity, communications, reputation management, crisis communication, event and marketing solutions amongst others.
JT Comms continues to constantly evolve, remain organic and successfully scale its operations to a 360-degree digital agency and is a conduit in producing effective and relevant African content that’s definitive and packaged for digital penetration. The agency has launched new innovations such as hosting “Business Master Classes” and launching an online TV station, which hosts diverse projects such as ECAfrica, Bunnies in the Burbs and Amplifying African Excellence. JT Comms significantly differentiates itself from its competitors by being relevant and providing tailored solutions and a resource for media players in sourcing African content. www.jtcomms.co.za
About Nomsa Manaka
Despite the most daunting odds thrown at them by the third wave of COVID-19 and tighter lockdown restrictions, Director Dr Jerry Mofokeng wa Makhetha and his stellar cast, in partnership with the United States Mission to South Africa, are proud to present Lorraine Hansberry’s stage play, A Raisin in the Sun this Heritage Month.
With Keketso Semoko, Nat Ramabulana, Xolile Tshabalala and Gerben Kamper in leading roles, Hansberry’s masterpiece in hope, will premiere at the Soweto Theatre on 11 September 2021 and run until 17 September 2021 with a week of double matinee performances. This will be followed by double matinee performances at the Kroonstad Civic Theatre opening on Heritage Day (24 September 2021), and run until 26 September 2021. All performances will follow strict COVID-19 protocols and are limited in audience numbers based on lockdown Level 3 regulations.
“We are able to stage A Raisin in the Sun with immense gratitude to the U.S. Mission to South Africa. Without their financial support we would not have been able to produce a play of this calibre and production value. We are also extremely grateful to the Executive Mayor Councillor Mpho Chakane of the Moqhaka Local Municipality who has welcomed us to Kroonstad with open arms and generous hospitality,” says award-winning director and producer Mofokeng wa Makhetha.
Originally setin the 1950s, A Raisin In The Sun tells the story of an African American family’s desire and aspirations to move beyond segregation and disenfranchisement. A father’s death and life insurance pay-out promises his wife and children an opportunity to rise above their current circumstances. Throughout the play there is ongoing tension between the themes of dreams and selfishness, underpinned by gender, class and race.
“This is a story of hope, at a time in history when we need it most. It is a story that gives people permission to dream again. Walter, in the play, may be African American, but he is as much African as Steven Biko. When you watch the play and remove the places mentioned, it is very much an African play, an African story, an African Legacy. What happens when a Walter in the Free State in the democratic South Africa has a dream to have his own house, his own company? For his son to go to his school of choice and for his wife to wear pearls?” says Mofokeng wa Makhetha.
“This production is a gift to me, the cast and crew, and to every member of the audience that will experience it. What a rare opportunity to occupy a magical seat in the theatre in the time of COVID,” he concludes.
Issued by JT Communication Solutions on behalf of Dr Jerry Mofokeng wa Makhetha and the U.S. Mission to South Africa.
For media enquiries and interview requests with the Cast, Director or U.S. Embassy representative please contact media@jtcomms.co.za or (011) 788 7632 and speak to Dee’s
Note to Editor
The production offers an opportunity for organisations, associations, schools, cultural groups to secure the theatre as an exclusive show case. Space is very limited per showcase in line with level three COVID regulations. Groups should therefore ensure they book their tickets in advance. Do however be aware that group bookings will only be accepted for a minimum of 10 to avert super-spreader occurrences. Only 40 people will be allowed into each production to adhere to COVID-19 regulations, and we strongly advise you make an early booking to secure your seat.
To be compliant to COVID-19 regulations and to book your seat to watch a Raisin In The Sun at Soweto Theatre, please send your RSVP or booking request to Khosi Ndesi - khosi@sowetotheatre.com or call 011 930 7461 or 076 477 1893
And to book your seat to watch a Raisin In The Sun at Kroonstad Civic Theatre, please send your RSVP or booking request to Dika Media - dikak@moqhaka.gov.za or dika.media1@gmail.com or call 073 501 2176
Performance dates are as follows:
Soweto Theatre:
Friday 10/09 Preview @ 11h00
Preview @ 19h00
Saturday 11/09 Performance @ 11h00
Official Opening Performance @ 15h00
Sunday 12/09 Performance @ 15h00
Performance @ 18h00
Tuesday 14/09 Performance @ 11h00
Performance @ 15h00
Wednesday 15/09 Performance @ 11h00
Thursday 16/09 Performance @ 11h00
Performance @ 15h00
Friday 17/09 Closing Performance @ 11h00
Kroonstad Theatre:
Thursday 24/09 Opening Performance @ 11h00
Performance @ 15h00
Friday 25/09 Performance @ 11h00
Performance @ 15h00
Saturday 26/09 Performance @ 11h00
Closing Performance @ 15h00
African inspired and driven by Artificial Intelligence, TWAA is an innovative and disruptive global professional knowledge sharing and mentorship digital platform for women and girls. TWAA is built to equip female communities with relevant technology tools and rolls out in South Africa this Women’s month, August 2021.
Recognising the need for a platform that supports mentorship, Irene Kiwia started a corporate social responsibility programme to identify and pair young Tanzanian girls with mentors in various industries and this birthed TWAA. Piloted in Tanzania TWAA is expanding globally and the technology and platform can be locally adaptable to each territory with the aim to scale into diverse markets.
TWAA is a Swahili word that means Acquire, Take or Learn and is an AI-driven professional networking platform for women across various sectors, societies and nationalities, to access mentors, network & connect and share knowledge. The platform provides women with digital tools to connect and find suitable mentors and mentees, share and access opportunities bolstering continuous progress and development.
Developed by a burning vision to create a safe platform using the digital space as an enabler, TWAA is in existence thanks to the resolute dedication of Tanzanian Futurist, Visionary and #TechPreneur Irene Kiwia. TWAA is making its first entry into the South African digital space and kicks off with a dialogue and fireside conversation on 27 August 2021 with some of South Africa’s leading women entrepreneurs driving tech economies.
Ms Kiwia is adamant that TWAA creates a safe space using technology smartly to tackle the global issues of women empowerment through mentorship programmes that will promote professional networks and open doors to leadership and entrepreneurship amongst women.
The theme of the dialogues is centred on gender equality, the use of innovation and tech to bring about significant change. The event will bring together a panel discussion of dynamic women from across the continent that will aim at positively building the conversation.
Joining the formidable line up of dynamic visionaries to share insights includes Go Peak International’s CEO Deshun Deysel Bester. With over 2 decades of traversing the slopes of some of the world’s great peaks, including 2 attempts at Mt. Everest, Deshun gives a valuable perspective on what high performance means to individuals and teams. As an International Speaker she has worked at more than 1000 conferences in over 15 countries
Also on the panel is an influential voice advancing tech ecosystems in mobilising and using digital to amplify social impact solutions. Mbali Ndlovu is co-founder of #RebuildSA and #IknowAGuy. Mbali is fast trekking how we can have real time responses using tech as an equaliser.
Durban born Amanda O Mathe digital matriarch and known as the real life Olivia Pope of social media joins the conversation and prides herself in building recognizable brands and developing better communities. Amanda is an accomplished tech-savvy media professional with experience in the communication, digital and PR sectors
Co-Founder of ToEmpowerHer, Imaan Moosa is a brand story teller, a visual artist and a social justice activist. She brings her network to the conversation and opens up dialogue on how we can connect to wider ecosystems across the continent.
Nigerian entrepreneur and author of The Money Entrepreneur and Of Smart Money Women Arese Ugwu also brings her leadership lessons to the #TWAATable.
Pan African Dialogue with Ada Animation Kenya and Animation SA on TWAA -In addition to the panel discussions, the online launch event will also bring together a Kenyan Animation Tech Start up Ada Animation director, Joy Mwangi. Joy has recently secured pre-seed funding from Nigerian venture capital firm Platform Capital through its technology firm Unicorn Group to support Ada Animation. This important dialogue connects the deputy chairperson of Animation-SA Isabelle Rorke whose disruptive leadership in advancing animation and amplifying the African Narrative is a journey influencing and creating value across diverse ecosystems.
“This conversation is unmissable and is the kind of value networks TWAA is striving to create for women in business and entrepreneurship. We are encouraged by the South African support that we are able to leverage through our partner organisations in #ECAfrica and the Ada Labs SA team currently working on joining the dots and extending the pipeline,” says visionary and founder of TWAA Irene Kiwia.
Powered by #ECAfrica #TWAADialogues is part of the #AdalabSA launch activation. - TWAASAWomensMonth
#GenderEquality
Issued by JT Communication Solutions on behalf of Entrepreneur Connect Africa #ECAfrica
For Media Queries and additional info contact JT Comms on media@jtcomms.co.za or 011 788 7632
Note to Editor
TWAA was piloted in 2017 and grew up to 10,000 users in 8 countries including USA and UK. Currently TWAA is rolling out in Tanzania, Kenya, Uganda, South Africa, Ghana, Liberia. Zambia and Rwanda
The TWAA Women’s Month Panel discussion will feature:
A fireside conversation with TWAA founder Irene Kiwia and Kenyan R&B and reggae musician Wyre
Animation Dialogue
Johannesburg, South Africa: The Planner Guru, producers of the annual Women in MICE Awards and part of the 3S Media group, today announced that the deadline for the submission of nominations for the 2021 Women in MICE Awards will be extended to 30 July 2021.
“Given the recent challenges we have faced in South Africa and in particular, in the wake of the ongoing lockdown following the recent spike in cases, we feel it is only fitting to allow the industry additional time to collate their nominations,” commented Shanna Jacobsen, Managing Editor of The Planner Guru and Meetings magazine.
The Women in MICE Awards recognise the important role women play in the meetings, incentives, conferences, and exhibitions (MICE) industry. The Awards play a vital role in providing a platform that motivates, inspires and supports women in the industry to achieve their personal and professional goals. It also connects women in the industry to leverage their reach and resources, creating a community of economically empowered women.
The Awards were postponed from last year. Judges will therefore consider efforts made during both the 2019-2020 and 2020-2021 periods. In addition, the Women in MICE Mentorship and Development Initiative continues to give back to the industry by facilitating knowledge and skills sharing to further advance the professional development of women in the industry.
“As we have seen during the crisis with diversity, equality and inclusion a hugely topical theme, the marginalisation of certain groups requires urgent attention. The Women in MICE Awards have consistently recognised the crucial role women play within the MICE industry but also in our homes, and we feel it is more important than ever to award the efforts that are making a difference to how we both work and live,” concludes Shanna
How to nominate:
Issued by JT Communication Solutions on behalf of the Planner Guru, producers of the Annual Women in MICE Awards
For Media Queries and additional info contact JT Comms on media@jtcomms.co.za or 011 788 7632
About 3S Media and Novus Print:
The Planner Guru, part of the 3S Media group, is a leading source of business intelligence for the meetings, incentives, conferences and exhibitions (MICE) industry. It is supported by a range of print publications, newsletters, web, video and social media. The company behind The Planner Guru brands is Novus Print (Pty) Ltd t/a 3S Media, which has proudly achieved BBBEE Level 2 status. Click here for our BBBEE certification. Novus Print (Pty) Ltd is also registered with the National Treasury’s Central Supplier Database for Government.
Long Night Of The Poets
International Poetry and Music - A virtual celebration
Friday 9 July 2021, 8pm – 9.30pm
Free Streaming Platforms:
Facebook Pages: African Women Writers Network, Joburg Theatre, Current State of Poetry
Websites: afroarts.co.za, joburglive.tv
Recorded @Lesedi – Joburg Theatre
Long Night of the Poets is an exciting international poetry and music event streaming on Friday 9 July 2021. The virtual event will feature 27 artists from all parts of South Africa, as well as Zimbabwe, Nigeria and Algeria, and reaching to Palestine, India and the USA. The programme is part of the extended Africa Month colloquia with a focus on the youth, featuring several renowned and emerging voices including the likes of Makhafula Vilakazi from Soweto, Diana Ferrus, Michael Weeder - the Dean of St Georges Cathedral in Cape Town, Vangile Gantsho, Sibulelo Manamatela, Siya Shezi from Kwazulu Natal, Tade Ipadeola from Nigeria, Mutabaruka from Jamaica, Meena Kandasamy from India to Tony Award winning poet and actor Beau Sia from the USA.
Long Night of the Poets will also feature collaborations with musicians, including Kamva - the string quartet, Pops Mohammed on the kora with friends, Siya Mthembu from The Brother Moves On, soulful singer Hope Masike from Zimbabwe on the mbira, Kanyi Mavi and Easvesdrop - young women making their mark on the Cape Flats local hip hop scene. Afrikaans poet Piet Odendaal will also feature among the many other poets and musicians.
Below we present a brief synopsis on all the poets and musicians performing at the Long Night of the Poets streaming on Friday 9 July, from 8pm to 9.30pm. There is no charge for this event.
Issued by JT Communication Solutions on behalf of Afro Arts SA
For Media Queries and additional info contact JT Comms on media@jtcomms.co.za or 011 788 7632
Poets and Musicians Performing for the Long Night of the Poets Virtual Celebration
on Friday 9 July 2021, 8pm – 9.30pm
Meena Kandasamy (India)
Meena Kandasamy (b. 1984) is an anti-caste activist, poet, novelist and translator. She has always been interested in deconstructing violence, understanding the trauma caused by caste, gender, and ethnic oppressions, and spotlighting the militant resistance against these powerful systems. She explores these topics in her poetry and prose, most notably in her books of poems such as Touch (2006) and Ms. Militancy (2010), as well as her three novels, The Gypsy Goddess (2014), When I Hit You (2017), and Exquisite Cadavers (2019). Activism is at the heart of her literary work; she has translated several political texts from Tamil to English, and previously held an editorial role atThe Dalit, an alternative magazine documenting caste-related brutality and the anti-caste resistance in India. Her novels have been shortlisted for the Women’s Prize for Fiction, the International Dylan Thomas Prize, the Jhalak Prize and the Hindu Lit Prize. She holds a PhD in sociolinguistics, and was recently Gallatin Global Faculty in Residence at New York University (NYU) where she co-taught a course on feminist writers from the neo-colonial world. Her op-eds and essays have appeared in The White Review, Guernica, The Guardian and The New York Times.
Sibulelo Manamatela (SA)
Sibulelo Manamatela is a multidisciplinary artist who specialises in strategising, writing and executing digital content; and a poet. She has worked with various brands including LEGO®️, Woolworths, The Foschini Group, Lindt SA and many others. Her poetry has appeared in 20.35 Africa Vol II, Sol Plaatjie European Union Poetry Anthology Vol VIII, Type/Cast Issue 5, Poetry Potion 013 & many more.
Makhafula Vilakazi (SA)
Going by stage name of "Makhafula Vilakazi" (the title of one of his poems), Matodzi Gift Ramashia grew up in Chiawelo, Soweto. He is also a practicing attorney of law. His poetry is a fusion of Tsotsitaal, English, Zulu and Sotho interspersed into an uncompromising depiction of township life, exploring issues which affect his community such as, unemployment and crime. He has published some of his poems in an anthology "Sections of Six" which was published by Botsotso Publishers. In 2013 Makhafula Vilakazi released his first album titled "I Am Not Going Back To the township". The album features Samthing Soweto, Impande Core and Poet radio presenter Khanyi Magubane. In 2018 he performed Concerning Blacks at Joburg Theatre to a sell-out venue. In 2019 he performed in the show Mandela Is Dead. In 2020 he gave a sold out State Theatre performance for the preview of his sophomore album, Concerning Blacks.
Mutabaruka (Jamaica)
Mutabaruka is the worlds leading Jamaican Rastafari dub poet, musician, actor, educator, and talk-show host, who developed two of Jamaica's most popular radio programmes, The Cutting Edge and Steppin' Razor. His name comes from the Rwandan language and translates as "one who is always victorious". His themes include politics, culture, Black liberation, social oppression, discrimination, poverty, racism, sexism, and religion.
Beau Sia (USA)
Beau Sia is a Tony Award winning poet and world-renowned performer, featured on all 6 seasons of Russell Simmons Presents Def Poetry and the winner of two National Poetry Slam championships. He is the author of the poetry books Well Played (2020), The Undisputed Greatest Writer of All Time (2010), and A Night Without Armor II: The Revenge (1998), a satiric response to Jewel’s poetry collection A Night Without Armor (1999). As an educator, he has been mentoring youth for organizations such as Youthspeaks, Urban Word, and GetLit. Beau Sia is also a musician and film actor and starred in 2008 with Anne Hathaway in ‘Rachel Getting Married’.
Samira Negrouche (Algeria)
Samira Negrouche is the author of six poetry collections, including Quai 2I1, partition à trois axes, (Éditions Mazette, 2019), Six arbres de fortune autour de ma baignoire (Éditions Mazette, 2017), Le Jazz des oliviers (Éditions du Tell, 2010), and A l'ombre de Grenade (A.P. l'étoile, 2003). Her poetry has been translated in over twenty languages, and she is the founder of Quai 2I1, alongside the violinist Marianne Piketty and the theorist Bruno Helstroffer. She is a translator from Arabic and English to French. Samira is also a qualified medical doctor but prefers pursuing her literary work.
Tade Ipadeola (Nigeria)
Tade Ipadeola is a poet and lawyer, and author of three published volumes of poetry – A Time of Signs (2000), The Rain Fardel (2005) and The Sahara Testaments (2013). He also has other notable works such as translations of W.H Auden into Yoruba and Daniel Fagunwa into English. He has published many short stories and essays. In 2009, he won the Delphic Laurel in poetry with his poem ‘Songbird’, in Jeju, South Korea. His third volume of poetry, The Sahara Testaments – a sequence of 1000 quatrains on the Sahara – is his latest work which won the Nigeria Prize for Literature 2013. In 2014, Tade Ipadeola endowed the Kofi Awoonor Memorial Library with a portion of his Nigeria Prize winnings. The Library is dedicated to African and World Literature, especially poetry. His works explore geographies, history, prehistory, flora, fauna, language and identities.
Ajoke Bodunde (Nigeria)
Ajoke Bodunde is a young Nigerian feminist, aspiring barrister and poet. Her work focuses on the experiences of women, their complex and multi-generational relationships with one another and the patriarchy. In addition to being published in Ake Review and The Kalahari Review, she was shortlisted for the Merky New Writer’s Prize in 2019.
Diana Ferrus (SA)
Diana Ferrus is a writer, poet and storyteller. Ferrus is best known for her poem about Sarah Bartmann a South African woman taken to Europe under false pretenses and paraded as a curiosity and suffered great abuse and exploitation. She wrote the poem in 1998 while studying at Utrecht University. The popularity of this poem is widely believed to be responsible for the return of Bartmann’s remains to South Africa.
Pieter Odendaal (SA)
Pieter Odendaal is a poet, translator and editor. His debut collection, asof geen berge ooit hier gewoon het nie ("like no mountains ever lived here" - Tafelberg Publishers), was awarded the 2019 Ingrid Jonker Prize. His poems have appeared in various local and international journals. He was the director of InZync Poetry from 2015-2019, a poetry organisation based in the English Studies Department at Stellenbosch University. Along with Annel Pieterse and Mbongeni Nomkonwana, he is the co-editor of the translation anthologies Many Tongues (2013) and ConVerse (2018). Odendaal holds a PhD in Creative Writing from the Queensland University of Technology in Brisbane. He recently moved to Makhanda and is currently a Mellon Writer-in-Residence in the Creative Writing department at UCKAR.
Busisiwe Mahlangu (SA)
Busisiwe Mahlangu is a poet, performer and a dreamer from Mamelodi, Pretoria. She is the author of "Surviving Loss", a poetry collection which was later adapted for theatre at the South African State Theatre Incubator Program. Mahlangu was awarded the SA National Poetry Prize (2020) and won the Tshwane Speak Out Loud youth Poetry Competition (2016/2017). She has toured and shared her work internationally including USA, Sweden, Lesotho, Mozambique and Nigeria. Busisiwe currently runs her business, ‘Busi Creates’ where she makes jewellery and beadwork.
Vangile Gantsho (SA)
Vangile Gantsho is a poet, healer and co-founder of Impepho press. Unapologetically a black woman, she has travelled the continent and the globe participating in literary events and festivals. Gantsho is the author of two poetry collections: Undressing in front of the window (2015) and red cotton (2018). She holds an MA from Rhodes (2016) and was named as one of Mail& Guardian’s Top Young 200 South Africans of 2018. Her latest collection, red cotton, an exploration of what it means to be black, queer, and woman in modern-day South Africa, was named City Press Top Poetry Read of 2018, and long-listed for the National Institute for the Humanities and Social Sciences 2020 Award.
Michael Weeder (SA)
Michael Weeder is the Dean of St George’s Cathedral in Cape Town and has been an Anglican priest since 1985. He is a social activist, community worker and has recently published two poetry collections, 'Lockdown love and lament,' and 'The Promise of Memory.' These reflect on the Covid-19 lockdown, the personal, public and political, and identity and home.
Hope Masike (Zimbabwe)
Hope Masike is a vocalist, mbira player, percussionist, songwriter, fashion designer, painter and dancer. Hope started performing professionally in 2008 while she was still studying music in Zimbabwe. In the same year she founded her band. She fused Zimbabwean traditional instruments (mbira, marimba, ngoma nehosho) with bass, drums, recorder and guitar. Hope is known as “The Princess of Mbira” and her music has its roots both in traditional and modern African culture. She is also the lead singer for transnational band Monoswezi.
Sabelo Soko (SA)
Sabelo Soko is a writer, performer and social entrepreneur from eMkhondo, Mpumalanga. With over 16 years multimedia experience, his catalog boasts projects in film form, advertising, studio records as well as stage productions. Soko is passionate about original stories and their preservation.
Hope Netshivhambe (SA)
Hope Netshivhambe is an international storyteller and Voiceover Artist born in Venda, Limpopo. She attended Vaal university of technology. She has shared her work in 8/9 South African provinces. Hope has been featured widely on radio and television. She is the Co-writer and performer of the short film #WeAreDyingHere, nominated for best short narrative at this year’s Pan African Film Festival (PAFF) in Los Angeles(LA) the film is also the 2021 official selection for the 11th Charlotte Black film festival in Charlotte, North Carolina. Netshivhambe is an Alumni of the “Black Girl Live fellows” under the mentorship of Koleka Putuma. She believes strongly in the power of words and is convinced that the world as we know it revolves around words. Hope lives by her self coined mantra “do what you came for,” which speaks of purpose.
Pops Mohammed (SA)
Pops Mohamed is at the helm of the current world music movement. He experiments with global sounds and digital electronica to create a fusion of tradition and modern technology. Pops successfully combines a deep-rooted African sound with contemporary instruments and electronics. His accessible sound is blend of indigenous music with a dance base. Pops Mohamed Meets The London Sound Collective was released in August 2000 and is a collaboration with the underground drum 'n bass outfit LSC. It is a fusion of East London urban sounds with indigenous instrumentals, which brings traditional music into the sphere of modern dance music. Pops was involved in recording the raw sounds of the San Bushmen on The Bushmen of the Kalahari CD, released in August 2000 as the result of his visit to the Kalahari in 1995. Some of the recordings provided the backbone of Pops' acclaimed album How Far Have We Come? The albums Kalamazoo, 1992 and Sophiatown, 1993 were both nominated Best Jazz Album in South Africa's OKTV Awards. Pops produced the late maestro Moses Molelekwa's award winning album Finding Ones Self, in 1996. He has toured all over the world both as a producer of indigenous music and as a performer.
Bobo Jay Nzima (SA)
Bobo has quickly become one of the young influential unique voices in the industry. Nzima has acquired his status through vocal coaching, being a professional backing vocalist, and a solo performing artist. His music career began in the church. He recorded his first EP in 2017, which featured Just Hlo, Sne Hlengethwa, Mnqobi Nxumalo, and Unathi Mzekeli. Nzima released “The Journey I” in 2018 digitally. His latest EP titled “The Journey II” features artists such as Nick Soul, Slick Nate, & Siya Shezi, and is available on digital platforms. He has worked with various artists such as Brenda Mtambo, Ami Faku, Mahalia Buchanan, Jabu Hlongwane, Vashawn Mitchell, Donny McClurkin, Khaya Mthethwa, and GGC (Gospel Goes Classical). Bobo is currently working on releasing another EP that will be released soon, featuring Thando Makhaphela and Mbali Zethu.
Kanyi Mavi (SA)
Kanyi Mavi is a fire spitting emcee hailing from the township Gugulethu, Cape Town who raps in her native tongue, isiXhosa. The feisty rapper entered the scene in 2002 rapping in local open mic sets. In 2013, Kanyi Mavi was nominated for Best Lyricist, Best Newcomer and Best Female Awards (which she won) at the South African Hip Hop Awards. Kanyi, along with a number of South African and Swedish artists recorded, released and toured Sweden with a collaboration project called Kwaai- which won 2014 Manifesto Award for Best Rhythm. She also started a movement that supports and showcases the talent of African Women in Hip Hop called, NKAZANIA.
Eavesdrop/Mercury (SA)
Eavesdrop is a social activist, hip hop emcee, playwright and performer from Parkwood, a Cape Flats township located in Cape Town, South Africa. She has been recording and performing her work, as a solo artist, since 2002. Her approach to her art has allowed her to enter into extended disciplines such as theatre performance, script writing/workshopping, and social activism. She uses Hip Hop to highlight the daily struggles of her community who face injustice, inequality, political and cultural apathy, amongst many other issues. Her inspiration comes from the trials and tribulations of the people amongst whom she lives and from her spiritual perspective on life in general. Rhyming is her process of awakening to take action for the freedom and upliftment of her soul’s purpose.
Siya Shezi (SA)
Siya Shezi is a recording artist/emcee from Soweto and an active member of the Deep Soweto Hip-Hop Family based in Soweto/South Africa. Siya began his rhyming back in the year 2000. He rose to his pinnacle in the year 2005 through the inception of the deep Soweto crew which ruled the streets of Soweto for a long time in hip hop seminars around Soweto. In 2007, Siya Shezi recorded the deep Soweto mix tape which saw him perform on many stages. His hip hop journey characterized by his original Kasi Rap style saw Siya Shezi winning the crown at Slughuis in 2010 for the king of street competition. Siya proclaimed his street credibility when he released his anticipated mix tape, called Siyaphanda Mixtape. In that project, Siya collaborated with some of SA’s talented artists: Zola, Samthing Soweto and many more.
Frank Meintjies (SA)
Based in Johannesburg, Frank Meintjies has worked in the field of social development. He has also been active as a commentator on culture in South Africa. Frank's creative writing has been included in several South African anthologies. He also frequently contributes to the world of poetry through participation in readings. Frank’s poetry collections are Unfettered Days (2015), Connexions (2012) and My Rainbow (2009). He also has written several children’s stories and short stories.
Afeefa Omar (SA)
Afeefa is a poet, a student of life and adhering to the Islamic faith.She grew up in Cape Town and began writing poetry and short stories at a young age to make sense of the world around her. She often writes to navigate the physical and metaphysical borders between people. In 2016 she joined the C.Y.P.H.E.R youth hub under Lingua Franca Spoken Word Movement and shared her work with people for the first time. Since then, she has featured on various poetry and literature platforms including Rioters in Session, the Open Book Festival, Poetry Potion Magazine, UCT’s Dreaming Feminist Futures Symposium (2018) and Woordfees (2020). Afeefa is passionate about using poetry to challenge the boundaries imposed on narrative and to reclaim the lost voice.
Siya Mthembu (SA)
Siya Mthembu is a singer, writer of song and poems and a member of The Brother Moves on group. The band now comprises of seven individuals from different parts of Johannesburg whose music pays homage to South African Jazz/Rock /Funk, in its love for the esoteric and eccentric in what it is to be rhythmically South African. The Brother Moves On has released three EP’s and one full debut album independently and have recently been signed to UK boutique labels Matsuli Records and Native Rebels Recordings for two new releases in 2022.
Pule Welch (SA)
Pule Welch is a phenomena within the cultural social landscape. Pule is a scholar of linguistics and a cultural historian of speech practices of Azania/Naremâb, indigenous Southern African language systems. His work is through verbal and performing arts as a speaker, writer, and stage and screen performer. His main scholarly research describes South African ‘Tsotsitaal’.
KAMVA is a versatile music collective committed to an energetic, organic style of music creation and performance. Since their formation, the collective’s passion for music has taken them around the country and the world; they were privileged to perform in Large concert halls such as (The Royal Concertgebouw) Amsterdam, (Berlin Philharmonia) Germany, (BOZAR) Belgium. The members of KAMVA are also part of South Africa’s Best Orchestras such as The Johannesburg Philharmonic Orchestra and MIAGI Orchestra; they also served as principals in their section for MIAGI Orchestra.
Victor Khulile Nxumalo (SA)
Khulile Nxumalo is a poet and film maker based in Johannesburg, South Africa. His debut collection of poems “ten flapping elbows, mama” was published by Deep South (2004). His poetry continues to be published in journals in South Africa, the UK, the USA and Canada. His second book “fhedzi” was published in 2013. His documentary films have mainly been seen on SABC channels. He directed and produced House of Credo Mutwa as part of a series to mark 30 Years after the 1976 Uprising on SABC 1 of the man, in conversation with the history of the world since 1900. Victor Nxumalo has been a commissioning editor for several years at the SABC.
FOR IMMEDIATE RELEASE
June 2021 – Johannesburg, South Africa
Music In Africa Foundation and Goethe-Institut launch Sound Connects Fund
The Music In Africa Foundation (MIAF), in partnership with the Goethe-Institut, has launched a €4m funding programme geared towards supporting creatives in Southern Africa.
Operating under the banner; ACP-EU Culture Programme (Southern Africa) - Sound Connects Fund, the initiative is made possible with funding from the ACP-EU Culture Programme, a project implemented by the Secretariat of the African, Caribbean and Pacific (ACP) Group of States and funded by the European Union (EU). The programme is co-funded by the Goethe- Institut.
The Sound Connects Fund is a multifaceted initiative aimed at accelerating development and increasing the capacity of the cultural and creative sectors in Southern Africa. From 2021 to 2024, the fund will award grants worth €2 850 000 and offer a robust capacity-building programme (to the value of €570 000) to eligible creative and cultural industry organisations in nine SADC countries; Angola, Botswana, eSwatini, Lesotho, Malawi, Mozambique, Namibia, Zambia, and Zimbabwe.
The Sound Connects Fund is implemented by the MIAF in partnership with Goethe-Institut South Africa. The Siemens Stiftung, a founding partner of the MIAF, is also a partner of the fund.
“The ACP-EU Culture Programme (Southern Africa) - Sound Connects Fund is an incredibly crucial initiative that will make a huge difference across the creative industries in Southern Africa. We are calling on all eligible organisations to seize this opportunity and propose sustainable programmes that are aligned to the clear goals of this initiative,” says Eddie Hatitye, director of the MIAF.
“The Goethe-Institut is proud to be a driving partner in this project, together with MIAF”, says Klaus Krischok, Regional Director of the Goethe-Instituts in Sub-Saharan Africa. “Sound Connects aims to reach progressive cultural and creative initiatives across nine countries in Southern Africa. The joint initiative is more relevant than ever in times when arts and culture are under duress.”
Using the theme of sound as a strong connecting factor across creative industries in the region, the fund will support multiple disciplines including, but not limited to, performing arts, animation, film, gaming, photography, videography and visual arts sectors.
The initiative will strategically seek to support projects and activities that;
Calls for applications will be announced annually via the Music In Africa portal. At least 35 grants will be awarded between 2021 and 2024. The grants will range between €35 000 and €180 000.
Eligible organisations include arts organisations, education institutions, associations, industry bodies, hubs and incubators, media houses, civil society and other relevant registered entities.
The first call for grant applications opened on 17 June 2021 and will close at midnight on Sunday 25 July 2021. The second and third calls for grant applications are scheduled for 2022. For more information about applications visit the website http://www.musicinafrica.net/scf
Music and sound are a universal language that has connected people and communities globally for centuries. It is clear that in Southern Africa’s vibrant cultural sector, music is a significant force that connects and coexists within a wide range of art forms, in some instances playing a central role in fields such as dance, theatre, video, gaming, film, fashion and related industries.
The project’s name and focus are influenced by this reality. Additionally, the name speaks to the overarching vision of the project, which is to define sound as a connecting force for the creative industry in Southern Africa – one that is dynamic, vibrant, more self-sustaining, and loudly heard and seen globally.
Grant applicants will therefore be challenged to look at sound not only in relation to music but also in related sectors such as sound in videogames and animation films, sound in audio- visual arts, sound as a supporting aspect of the fashion industry (e.g. fashion shows) and sound in the digital creative sector.
Apply now online at http://bit.ly/SCFApplyHere.
For more information about the Sound Connects Fund, visit http://www.musicinafrica.net/scf or email us at - scf@musicinafrica.net, or call +27 (0)10 140 1317.
Issued by JT Communication Solutions on behalf of MIAF - Music in Africa Foundation and Goethe-Institut South Africa
For Media Queries and additional info contact JT Comms on +2711 788 7632 or email media@jtcomms.co.za
Ms. Linda Kaoma linda@musicinafrica.net
+27 (0)10 140 1317
The MIAF is a Pan-African, non-profit organisation based in Rosebank, Johannesburg, with satellite offices in East, West and Central Africa. The MIAF’s mission is to support the African music sector through promoting knowledge exchange and creating opportunities and capacity for music professionals. The Foundation does this in two ways: digitally via the Music In Africa website (www.musicinafrica.net) and offline through training programmes, artist mobility programmes, workshops, concerts, lobbying, conferences and other related initiatives.
Goethe-Institut is the cultural institute of the Federal Republic of Germany with a global reach. The institute promotes knowledge of the German language abroad and fosters international cultural cooperation. They convey a comprehensive picture of Germany by providing information on Germany's cultural, social and political life.
Implemented by the Secretariat of the ACP Group of States and funded by the European Union, the ‘ACP-EU towards a viable cultural industry’ programme (ACP-EU CULTURE) intends to boost the potential of the cultural and creative sector and its contribution to the social and economic development of the ACP countries.
Entrepreneurial filmmaker and storyteller Charlie Vundla’s film “Hotele Lerallaneng” Premieres at 50th International Film Festival Rotterdam (IFFR)
Entrepreneurial filmmaker and storyteller Charlie Vundla’s latest film HOTELE LERALLANENG has landed him an Official Selection invitation to the 50th edition of the INTERNATIONAL FILM FESTIVAL ROTTERDAM (IFFR). HOTELE LERALLANENG is the only South African Feature Film in this year’s festival. The prestigious event takes place in Rotterdam, The Netherlands 2 June - 6 June 2021 and marks the film’s world premiere.
Set in this unprecedented season of shutdowns and inertia, HOTELE LERALLANENG is an introspective drama that goes in search of the most authentic expression of the deepest feelings and uncertainties. With his keen eye for detail, honest characterisation and riveting storylines, Vundla skilfully draws the viewer into the lives of a group of young artists as they struggle with personal demons and questions of creativity, family and life in this new reality, while waiting out the pandemic in a beautiful hotel high in the Melville Koppies.
The film stars Moopi Mothibeli and Zethu Dlomo-Mphahlele, as well as Zoe Mthiyane, Celeste Khumalo, Cameron Scott and Buntu Petse.
“This is an amazing validation of my film and our talented cast and crew,” says Vundla of the invitation.
“HOTELE LERALLANENG is more than a film, it is a testament to the human spirit and a reflection on this time of stagnation. We were able to turn the lens inwards, try something different and authentically portray the lives of Black South African artists in a way that is not usually seen on screen”, he continued.
This is the third film Vundla has written and directed. His first, How to Steal 2 Million (2011), which starred Rapulana Seiphemo, Terry Pheto and the late Menzi Ngubane was met with critical acclaim and box office success. It won four Africa Movie Academy Awards including Best Film and Best Director and was an Official Selection at the Seattle International Film Festival, Fantastic Fest and the Pan African Film Festival where it was nominated for a Jury Award. His second film, Cuckold (AKA The Tribe), premiered at the Toronto International Film Festival in 2015 and met with success at the Chicago International Film Festival, the Atlanta Film Festival where it was nominated for a Jury Award, and the Africa International Film Festival where it won the Best Actor Award.
Issued by JT Communication Solutions on behalf of Charlie Vundla and Hotele Lerallaneng – www.charlievundla.com
For Media Queries and additional info contact JT Comms on 011 788 7632 or email media@jtcomms.co.za
Note to Editor
Click here For Hotele on set pics
Click here for Movie Trailer
Click here for Director Images
Click here for EPK
Click here for Website
About Rotterdam Festival Fact Sheet – Hotele Lerallaneng
Rhythm and Blues Virtual Concert and Workshop Programme
Celebrating Africa Month
Recorded live at the The Lesedi, Joburg Theatre
Supported by The National Arts Council (NAC)
Streaming Times!
Thursday 27 May, 19h-20h: Workshop Programme on Songwriting
Friday 28 May, 19h-20’30h: Rhythm and Blues Virtual Concert
Streaming Platforms: FREE
Website: https://afroarts.co.za
Facebook: @AfricanWomenWritersNetwork
We invite you to join Afro Arts SA in celebrating Africa Month with an exciting Rhythm and Blues programme on 27 and 28 May 2021. The programme will be streamed via website and Facebook (see above for details) and feature a range of artists that will resonate with the different genres and the different ages of music lovers.
We will be meeting online because of the Covid Pandemic, which has killed over 50 000 South Africans and affected thousands more who are currently in care. In celebrating Africa through musical rhythms and blues, we stand in solidarity with front line workers in the continent who against great odds save lives. We believe music is integral to this journey of survival; healing and hopefully it will inspire us to go through this period marked by social distance.
“We have assembled an in-house Rhythm and Blues band, directed by acclaimed jazz artist Avzal Ismail,” says Roshnie Moonsammy, director of Afro Arts, on the Rhythm and Blues Virtual Concert, “comprising a stellar range of South African jazz musicians of the likes of Mandla Mlangeni (Trumpet), Sisonke Xonti (Sax), Simz Tshabala (Drums), Thapelo Khumisi (Keys), Nhlanhla Radebe (Bass) and Mark Komane (Guitarist).”
Guest artists also featured are contemporary vocalist Bonj and bassist Aus Tebza, who has toured and recorded internationally. In addition, Standard Bank Young Artist award winner, trombone player, vocalist and composer Siya Makuzeni will also make an appearance. But that is not all. Other featured artists performing will include piano maestro Yonela Mnana, The Brother Moves On, Albert Frost, Andre Kriel from Black Cat Bones, actress and singer Nelisiwe Sibiya, Themby Khumalo, Femi Koya, legendary SA guitarist Bra Themba Mokoena, Gunshot Blue, and vocalist Lindsay McGuire.
As customary with Afro Arts SA, there will be an educational and enrichment workshop, this time focusing on songwriting. It will be presented by internationally acclaimed South African .The workshop programme will be streamed on Thursday 27 May 2021, 19H00 to 20H00
Issued by JT Communication Solutions on behalf of Afro Arts SA
For Media Queries and additional info contact JT Comms on media@jtcomms.co.za or 011 788 7632
Information on Featured Artists:
Brief information on some of the artists who will be featured at the Rhythm and Blues Concert:
Bonj: Born Bongiwe Mpanza but better known by her stage name Bonj, her voice is husky and strong, yet rich, seductive and incredibly entrancing. She describes her sound as a blend of electronic music with soulful melodies and groove. She aspires to make music that moves, uplifts and makes people dance. She has been an opening act for Sam Smith and her song “ain’t it true’ is featured in the film Coming to America 2.
Bra Themba Mokoena: One of South Africa’s most loved guitarists, this living legend has blessed stages across the world with acclaimed artists such as the Sibongile Khumalo, Hugh Masekela, and George Lee among others.
Albert Frost: South African blues singer, rock guitarist and producer Frost has played with The Blues Broers since 1994 at the age of 17. In 2017, he won the SAMA Award for Best Rock Album for The Wake Up. Dubbed the “South African Hendrix”, Frost deftly alternates between rhythm and lead, showcasing his extraordinary skills on the acoustic and electric guitars. In 2000, Frost became one of the first Fender endorsees in South Africa and has been linked with the brand ever since.
Siya Makuzeni: A dynamic professional South African trombone player, vocalist, lyricist and songwriter, Siya regularly collaborates with A-list South African musicians such as Marcus Wyatt, Themba Mkhize, McCoy Mrubata, Feya Faku, Frank Opperman, Tlale Makhene, Khaya Mahlangu, Phillip Miller, the late Sibongile Khumalo and many more. She is also the bandleader of her own rock band, Ippyfuze. Makuzeni picked up the trombone in 1997 while attending Stirling High School in East London and studied BMus/BMusJazz at Rhodes University & the Pretoria Technikon Music School. She has since toured and performed around the globe, most notably in Italy where she contributed as co-composer and lyric interpreter to the soundtrack of Forse Dio e Malato (Maybe God is ill). Siya works as a session musician and voice-over artist when not performing live.
Andre Kriel: South African born singer, guitarist and songwriter, Andre Kriel is founder of the much-celebrated blues/rock group The Black Cat Bones. The Bones have released 4 original albums and won several awards, including the MK Best Live Act award. As a solo artist, Andre’s songs speak about forgotten heroes, men with grit and women with bad intent.
Yonela Mnana: An exceptionally gifted blind pianist and singer, Yonela grew up in Mamelodi Pretoria. Born in Transkei and schooled in Pietersburg, Mnana’s geographical travels contributed to a rich soundscape including African and western choral styles, Kwaito and R&B, soul and soul, 90s popular music and traditional music. While enrolling for a B.Mus at the University of the Witwatersrand, he studied music under the tutelage of Marian Friedman and Malcolm Nay (for classical piano studies), Nishlyn Ramanna, Andile Yenana and Mncedi Kupa. Mentorship of bassist Jimmy Mngwandi ushered him into a real life jazz experience. Mnana has since played with his revered jazz master elders including Zim Ngqawana (2005-6), Feya Faku, Herbie Tsoaeli, Sydney Mnisi, Clement Benny and Marcus Wyatt.
The Brothers Move On / TBMO: Started as a self-proclaimed art movement mainly of graphic and fine artists, the band has since began incorporating instrumentalists for the live performance environment. “The Brother’s sound is a tradition-trouncing trans-Atlantic Afro-centric futuristically ancient fusion that jack knifes between off world spectral dub-metal, hyper rhythmic rock psychedelic, indie-township and astro-afro-free-jazz. Taking a cue from that other “Brother From Another Planet” Sun Ra, they embrace a multi-genre, multimedia aesthetic, re-challenging hip-hop’s five pillars (MCing, DJing, B-boying and graffiti writing) into a concept technic performance art project that incorporates historical, political, and sociological perspectives”, writes Stacy Pan from the African Space Station.
Nelisiwe Sibiya: South African born actress, songwriter, singer and dancer Sibiya is popular for her heartfelt singing and songwriting on Mzansi Magic's Lockdown. An act to watch, Sibiya has vowed to make music that will move her audiences and inspire introspection. Her energy is infectious and her voice is powerful. The 26-year-old Maskandi Queen hails from Eshowe in KZN. Sibiya is best known for her popular role on the new ETV drama series Durban Gen as Dr Mbali Mthethwa.
Femi Koya: Hailing from Nigeria, Femi Koya is a talented producer, arranger, song writer and saxophone player. He is the new face of the African Renaissance. Combining Afrobeat and jazz, gospel and blues, West African highlife with a nostalgic Sophiatown flavour, his music is a rich blend of deep and sultry jazz and contemporary groove.
Themby Khumalo: Young, talented and a powerful singer, Themby has performed in various stages including Jazz on the Lake, musical theatre shows such as The Gibson Kente Tribute, Town The Musical Revue, The Joseph Shabalala Musical, The Hugh Masekela Tribute, Nelson Mandela Tribute and Letta Mbulu Tribute, just to name a few.
Lindsay McGuire: South Africas’ leading rock and blues singer and songwriter, she has performed over the years with her bands Crystal December and Avalanche. Lindsay has been performing professionally since a very early age and her single ‘Save Me’ reached the +1 spot on 5FM. She continues to perform live and has a dedicated following.
Afro Arts SA
Presents
Rhythm and Blues Virtual Concert and Workshop Programme
Celebrating Africa Month
Recorded live at the The Lesedi, Joburg Theatre
Supported by The National Arts Council (NAC)
Streaming Times!
Thursday 27 May, 19h-20h: Workshop Programme on Songwriting
Friday 28 May, 19h-20’30h: Rhythm and Blues Virtual Concert
Streaming Platforms: FREE
Website: https://afroarts.co.za
Facebook: @AfricanWomenWritersNetwork
We invite you to join Afro Arts SA in celebrating Africa Month with an exciting Rhythm and Blues programme on 27 and 28 May 2021. The programme will be streamed via website and Facebook (see above for details) and feature a range of artists that will resonate with the different genres and the different ages of music lovers.
We will be meeting online because of the Covid Pandemic, which has killed over 50 000 South Africans and affected thousands more who are currently in care. In celebrating Africa through musical rhythms and blues, we stand in solidarity with front line workers in the continent who against great odds save lives. We believe music is integral to this journey of survival; healing and hopefully it will inspire us to go through this period marked by social distance.
“We have assembled an in-house Rhythm and Blues band, directed by acclaimed jazz artist Avzal Ismail,” says Roshnie Moonsammy, director of Afro Arts, on the Rhythm and Blues Virtual Concert, “comprising a stellar range of South African jazz musicians of the likes of Mandla Mlangeni (Trumpet), Sisonke Xonti (Sax), Sims Tshabala (Drums), Thapelo Khumisi (Keys), Nhlanhla Radebe (Bass) and Mark Komane (Guitarist).”
Guest artists also featured are contemporary vocalist Bonj and bassist Aus Tebza, who has toured and recorded internationally. In addition, Standard Bank Young Artist award winner, trombone player, vocalist and composer Siya Makuzeni will also make an appearance. But that is not all. Other featured artists performing will include piano maestro Yonela Mnana, The Brother Moves On, Albert Frost, Andre Kriel from Black Cat Bones, actress and singer Nelisiwe Sibiya, Themby Khumalo, Femi Koya, legendary SA guitarist Bra Themba Mokoena, Gunshot Blue, and vocalist Lindsay McGuire.
As customary with Afro Arts SA, there will be an educational and enrichment workshop, this time focusing on songwriting. It will be presented by internationally acclaimed South African artists Msaki, Shekhinah and Vusi Mahlasela. The workshop programme will be streamed on Thursday 27 May 2021, 19H00 to 20H00
Issued by JT Communication Solutions on behalf of Afro Arts SA
For Media Queries and additional info contact JT Comms on media@jtcomms.co.za or 011 788 7632
Information on Featured Artists:
Brief information on some of the artists who will be featured at the Rhythm and Blues concert and workshop programme celebrating Africa Month:
Shekhinah: SA’s leading woman of song and hits, singer and songwriter Shekhinah continues to produce gold including her latest Fixate. Some of her other hits with artists such as Black Coffee and Sketchy Bongo include Your Eyes and Let me Know. Her album Rose Gold went platinum in 2018. [Featured only on the Workshop programme on songwriting]
Bonj: Born Bongiwe Mpanza but better known by her stage name Bonj, her voice is husky and strong, yet rich, seductive and incredibly entrancing. She describes her sound as a blend of electronic music with soulful melodies and groove. She aspires to make music that moves, uplifts and makes people dance. She has been an opening act for Sam Smith and her song “ain’t it true’ is featured in the film Coming to America 2.
Vusi Mahlasela: Known as ‘The Voice’ in South Africa, Vusi celebrated for his distinct, powerful voice and his poetic, optimistic lyrics. His songs of hope connect Apartheid-scarred South Africa with its promise for a better future. Raised in Mamelodi Township, where he still resides, Vusi became a singer-songwriter and poet-activist at an early age teaching himself how to play guitar and later joining the Congress of South African Writers. Vusi has toured globally and shared the stage with Dave Matthews Band, Sting, Paul Simon, Josh Groban, Taj Mahal, among many others. In 2003, fellow South African Dave Matthews signed Vusi to ATO Records and began releasing his albums in North America to great acclaim. Vusi has released nine beloved albums over the last two decades. His latest release is “Shebeen Queen”. [Featured only on the Workshop programme on songwriting]
Bra Themba Mokoena: One of South Africa’s most loved guitarists, this living legend has blessed stages across the world with acclaimed artists such as the Sibongile Khumalo, Hugh Masekela, and George Lee among others.
Albert Frost: South African blues singer, rock guitarist and producer Frost has played with The Blues Broers since 1994 at the age of 17. In 2017, he won the SAMA Award for Best Rock Album for The Wake Up. Dubbed the “South African Hendrix”, Frost deftly alternates between rhythm and lead, showcasing his extraordinary skills on the acoustic and electric guitars. In 2000, Frost became one of the first Fender endorsees in South Africa and has been linked with the brand ever since.
Msaki: Possessing one of the most angelic voices. Msaki continues to cross the different genres of music working with a range of leading and upcoming artists, including the likes of Black Coffee, Prince Kaybee, Nduduzo Makhathini and many others. Msaki creates a sound that combines soulful folk with symphonic movements, Xhosa lyrics and African poly-rhythms with portals of sincere improvisations. She plays with an ever-evolving and expanding band of incredible musicians from different musical backgrounds she calls the Golden Circle. [Featured only on the Workshop programme on songwriting]
Siya Makuzeni: A dynamic professional South African trombone player, vocalist, lyricist and songwriter, Siya regularly collaborates with A-list South African musicians such as Marcus Wyatt, Themba Mkhize, McCoy Mrubata, Feya Faku, Frank Opperman, Tlale Makhene, Khaya Mahlangu, Phillip Miller, the late Sibongile Khumalo and many more. She is also the bandleader of her own rock band, Ippyfuze. Makuzeni picked up the trombone in 1997 while attending Stirling High School in East London and studied BMus/BMusJazz at Rhodes University & the Pretoria Technikon Music School. She has since toured and performed around the globe, most notably in Italy where she contributed as co-composer and lyric interpreter to the soundtrack of Forse Dio e Malato (Maybe God is ill). Siya works as a session musician and voice-over artist when not performing live.
Andre Kriel: South African born singer, guitarist and songwriter, Andre Kriel is founder of the much-celebrated blues/rock group The Black Cat Bones. The Bones have released 4 original albums and won several awards, including the MK Best Live Act award. As a solo artist, Andre’s songs speak about forgotten heroes, men with grit and women with bad intent.
Yonela Mnana: An exceptionally gifted blind pianist and singer, Yonela grew up in Mamelodi Pretoria. Born in Transkei and schooled in Pietersburg, Mnana’s geographical travels contributed to a rich soundscape including African and western choral styles, Kwaito and R&B, soul and soul, 90s popular music and traditional music. While enrolling for a B.Mus at the University of the Witwatersrand, he studied music under the tutelage of Marian Friedman and Malcolm Nay (for classical piano studies), Nishlyn Ramanna, Andile Yenana and Mncedi Kupa. Mentorship of bassist Jimmy Mngwandi ushered him into a real life jazz experience. Mnana has since played with his revered jazz master elders including Zim Ngqawana (2005-6), Feya Faku, Herbie Tsoaeli, Sydney Mnisi, Clement Benny and Marcus Wyatt.
The Brothers Move On / TBMO: Started as a self-proclaimed art movement mainly of graphic and fine artists, the band has since began incorporating instrumentalists for the live performance environment. “The Brother’s sound is a tradition-trouncing trans-Atlantic Afro-centric futuristically ancient fusion that jack knifes between off world spectral dub-metal, hyper rhythmic rock psychedelic, indie-township and astro-afro-free-jazz. Taking a cue from that other “Brother From Another Planet” Sun Ra, they embrace a multi-genre, multimedia aesthetic, re-challenging hip-hop’s five pillars (MCing, DJing, B-boying and graffiti writing) into a concept technic performance art project that incorporates historical, political, and sociological perspectives”, writes Stacy Pan from the African Space Station.
Nelisiwe Sibiya: South African born actress, songwriter, singer and dancer Sibiya is popular for her heartfelt singing and songwriting on Mzansi Magic's Lockdown. An act to watch, Sibiya has vowed to make music that will move her audiences and inspire introspection. Her energy is infectious and her voice is powerful. The 26-year-old Maskandi Queen hails from Eshowe in KZN. Sibiya is best known for her popular role on the new ETV drama series Durban Gen as Dr Mbali Mthethwa.
Femi Koya: Hailing from Nigeria, Femi Koya is a talented producer, arranger, song writer and saxophone player. He is the new face of the African Renaissance. Combining Afrobeat and jazz, gospel and blues, West African highlife with a nostalgic Sophiatown flavour, his music is a rich blend of deep and sultry jazz and contemporary groove.
Themby Khumalo: Young, talented and a powerful singer, Themby has performed in various stages including Jazz on the Lake, musical theatre shows such as The Gibson Kente Tribute, Town The Musical Revue, The Joseph Shabalala Musical, The Hugh Masekela Tribute, Nelson Mandela Tribute and Letta Mbulu Tribute, just to name a few.
Lindsay McGuire: South Africas’ leading rock and blues singer and songwriter, she has performed over the years with her bands Crystal December and Avalanche. Lindsay has been performing professionally since a very early age and her single ‘Save Me’ reached the +1 spot on 5FM. She continues to perform live and has a dedicated following.
For Immediate Release #DMF2021 Results Announced
We are proud to announce the results of the Concerts SA Digital Mobility Fund for the April 2021 callout. For the second year in a row, Concerts SA has awarded subsidies to music projects. A total of 62 grants of R30 000 each were awarded to projects across the country. For a list of all successful applications, visit www.concertssa.co.za or www.iksafrica.com
The Concerts SA project is supported by the Norwegian Ministry of Foreign Affairs through the Royal Norwegian Embassy, SAMRO, the SAMRO Foundation, and has also received support from the Swiss-based Levedo Foundation. This year the bulk of the funds for the Digital Mobility Fund came from the Presidential Employment Stimulus Package (PESP) administered by the National Arts Council.
“As of the first lock-down in 2020, COVID-19 crippled the live music sector. As Concerts SA we immediately investigated possible ways to stimulate recovery,” said IKS Director Andre le Roux. “We immediately researched digital alternatives to live events which resulted in Digital Futures – Live Streaming in South Africa. This not only provided insight into live streaming music events in South Africa, but to the best available alternative for a failing sector. From this research, the first Digital Mobility Fund was born.”
A total of 401 high quality applications were received, up from last year’s 130. Applicants hailed from all parts of South Africa and formed a rich kaleidoscope of cultures, traditions, genres, gender, idioms, and origins.
One of last year's recipients of DMF2020, Davina Satori, stated: ‘Let me start by saying that never in my wildest dreams did I expect to be a recipient of the Digital Mobility Fund. I did not think that my music is what people associate with South African music, so in that vein I thought I would fall by the wayside. I was pleasantly surprised, in fact over the moon when I received an email notifying me of my good fortune.
Since 2013 Concerts SA has supported music touring across the southern African region. In the heart of the pandemic in 2020 and once again this year, with the fight against the COVID-19 pandemic necessitating a lockdown of live music and activities, the impact on musicians’ ability to earn an income has been devastating. For details on the impact on the livelihoods of artists, Concerts SA and IKSAfrica conducted an impact study of the pandemic on the live music sector. This report can be found at https://iksafrica.com/reports/Impact.
The #DMF2020 yielded the following results:
In addition to the #DMF2020 last year, Concerts SA supported a range of music venues, promoters, orchestras, and university music departments through the SAMRO Foundation’s concert funding subsidy. These subsidies made it possible for more online concerts to be produced, thereby creating employment opportunities for many artists and technical production staff.
For media enquiries, contact: media@jtcomms.co.za | Phone: (011) 788 7632 | www.jtcomms.co.za
For project enquiries, contact: dmf@iksafrica.com | www.iksafrica.com #ConcertsSA #DMF2021
Picture: Yonela Manana (by Suzi Bernstein)
About Concerts SA
Concerts SA is a live music project that has impacted over 10 000 artists and 900 venues across southern Africa. Aimed at supporting live music, the Digital Mobility Fund finds its roots in the Concerts SA Music Mobility Fund. Initiated in 2013, with funding support for the pilot project from the British Council, the Music Mobility Fund offers opportunities for South African musicians to undertake music tours across southern Africa. To encourage ongoing ‘movement’ in the locked-down music sector, Concerts SA opened the call for applications for the 2020 DIGITAL MOBILITY FUND in September 2020 and again in April this year. For more information, please visit our website www.concertssa.co.za, follow @ConcertsSA on Twitter, or like us on Facebook at www.facebook.com/ConcertsSA.
About IKS Cultural Consulting
IKS is a consulting and project management agency based on sound research and analysis. IKS provides strategic consulting, planning and project management services in arts and culture. Established in 2004, IKS took over the management of the Concerts SA programme in April 2020.
Visit: www.iksafrica.com , follow @IKSAfrica on Twitter or like IKS Africa on Facebook.
About the NAC PESP Program
The Presidency has made a special employment stimulus programme available to the sector to disburse via the National Arts Council and the National Film and Video Foundation. The Presidential Employment Stimulus Programme (PESP) is geared towards employment creation and retention initiatives for artists, creatives, heritage sector workers and cultural workers. This includes (but is not limited to) support to innovation in digitisation efforts for content creation and the dissemination and development of e-commerce systems.
https://www.nac.org.za/latest-news/presidential-employment-stimulus-programme-pesp/
The Music In Africa Foundation (MIAF) invites all music creators operating in South Africa to participate in the recently launched nationwide Revenue Streams for African Musicians (RSFAM) project.
A multifaceted initiative aimed at guiding African music professionals to earn more income from their works, the project has three key participation phases:
This call is for all creators to participate in the survey, which can be accessed here.
During the survey phase, the MIAF will collect and analyse data on the earning trends of music professionals across the nine provinces of South Africa. Input from working musicians will help the MIAF and its partners to develop tools, guides and capacity-building programmes to empower musicians with workable knowledge, and advocate for the development of relevant legislation to support the music industry.
How will musicians benefit from the RSFAM project?
The online and on-the-ground research will collect and analyse big data on the earning trends of music professionals and deduce the findings into definitive revenue models that work for musicians in different locations in South Africa, and provide training, educational content and digital tools related to the identified models. A key part of this initiative is lobbying. The MIAF will appoint a policy committee to advocate for the improvement of relevant legislation complementary to the revenue streams.
Musicians will be able to access reports and practical tools, and tap into insights that are specific to the revenue streams across regions, practices and genres. Musicians will benefit from first-hand advice and optimise their earnings as well as access tools to navigate the industry, attend tailored training workshops, access reports from the data collected, and take advantage of upskilling opportunities via free digital educational content.
“The music industry is changing at an alarming rate,” MIAF director Eddie Hatitye says. “Musicians often need support to fully understand the industry and make the right decisions. Participating in this initiative will unlock some vital opportunities for creators in South Africa. We hope that it will also facilitate a deeper understanding of the key issues that need to be addressed at policy level.”
How to participate in the survey
Note: All music creators are welcome to participate. The term ‘music creator’ is broadly used to refer to anyone who is involved in the creation of music in their individual capacity (from songwriter to producer, performer etc.).
The deadline for participation in the survey is 31 July 2021.
For media queries and interview requests contact media@jtcomms.co.za or call 011 788 7632
Issued by JT Communication Solutions on behalf of the Music In Africa Foundation – www.musicinafrica.net
ABOUT THE MUSIC IN AFRICA FOUNDATION
The MIAF is a pan-African, non-profit organisation based in Rosebank, Johannesburg, with satellite offices in East, West and Central Africa. The MIAF’s mission is to support the African music sector through promoting knowledge exchange and creating opportunities and capacity for music professionals. We do this in two ways: digitally via the Music In Africa website (www.musicinafrica.net) and offline through training programmes, artist mobility programmes, workshops, concerts, lobbying, conferences and other related initiatives.
PROJECT PARTNERS
The Music In Africa Revenue Streams for African Musicians project is supported by UNESCO’s International Fund for Cultural Diversity in the framework of the UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Siemens Cents4Sense programme, Goethe-Institut, the National Arts Council of South Africa and Kaya FM.
Concerts SA is calling for proposals for the Digital Mobility Fund 2021.
Music professionals can now apply for support to stream their live concerts by completing an online form.
The deadline for submissions is 5:00pm on Thursday 22 April 2021.
In the past years, Concerts SA has supported thousands of musicians to tour the Southern African region with funding for various expenses, including transport, accommodation and artist fees.
To encourage ongoing ‘movement’ in the locked-down music sector, Concerts SA has opened a call for applications for the 2021 DIGITAL MOBILITY FUND (DMF). This year’s fund follows in the footsteps of the ground-breaking Concerts SA Digital Mobility Fund that supported live music during the heart of the COVID19 pandemic in 2020. It is supported by the Royal Norwegian Embassy, the Swiss-based Levedo Foundation, the National Arts Council and SAMRO.
‘As of the first lock-down in 2020, COVID-19 crippled the live music sector. The Concerts SA team immediately looked into possible ways to stimulate recovery,’ said IKS Director, Andre le Roux. ‘We researched digital alternatives to live events which resulted in the publishing of Digital Futures – Live Streaming in South Africa. This research not only provided insight into the best practice of live streaming music events in South Africa, but to the best available alternative for a failing sector. From this research, the first Digital Mobility Fund was born.’
The DMF focusses on subsidising musicians in South Africa who intend to engage with live performances on streaming platforms, and in 2020 achieved the following:
This year, Concerts SA will be considering proposals from music professionals for music concerts to be live-streamed or delayed-broadcast, either with or without audiences. Successful applicants will receive a micro-grant of R30 000.
The deadline for submissions is 5:00pm on Thursday 22 April 2021 for streaming projects that will take place between 15 May 2021 and 15 June 2021. Applicants are required to fill in the Online Application Form by clicking here. The form is in English and needs to be submitted with mandatory documents.
An independent adjudication panel will be responsible for selecting and approving the recipients of these subsidies. Well thought-out, detailed proposals with realistic budgets stand the best chance of being selected.
Please note: Applications submitted elsewhere and/or through other means (email, fax, post, etc.) will not be considered. Applying does not guarantee support. The decisions of the adjudication committee will be considered final.
For media enquiries, contact: media@jtcomms.co.za | Phone: (011) 788 7632 | www.jtcomms.co.za
For project enquiries, contact: dmf@iksafrica.com | www.iksafrica.com
